Sargent, Carey. 2009. “Playing, Shopping, and Working as Rock Musicians: Masculinities in ‘De-Skilled’ and ‘Re-Skilled’ Organizations.” Gender & Society 23(5): 665-687. Masculinities are contextual based on organization (and may produce wide range of masculinities within these contexts – see Dellinger 2004 – and organizational/occupationally-based interpretations of sexuality – see also Lerum 2004; Trautner 2005), shaping […]

Bridges, Tristan. 2014. “A Very ‘Gay’ Straight? Hybrid Masculinities, Sexual Aesthetics, and the Changing Relationship between Masculinity and Homophobia.” Gender & Society 28(1): 58-82. Heterosexual men’s use of identifying “gay” characteristics to aid in construction of heterosexual-masculine identities — distances self from privilege, expresses “progressivity” or movement away from stereotypes of masculinity – however, does […]

Duncan, Norman. 2003. “’Race’ Talk: Discourses on ‘Race’ and Racial Difference.” International Journal of Intercultural Relations 27: 135-156. Marked elevation of discourse accepting notions of race and racial difference within Black South Africans. How those experiencing racism understand experience, negotiated representation issues, problems that impact collective/collective identity (?) In recent times, growing imperative to recognize: […]

Sullivan, Thomas. 2012. “’All I Want to Be All I Can Irish’: The Role of Performance and Performativity in the Construction of Ethnicity.” Social & Cultural Geography 13(5): 429 – 443. Ethnicity’s evolution from “a group-oriented protectorate to a more individualized form of identity” (429). Why, despite assimilation, connection to and construction of ethnic identities […]

Ross, Becki and Kim Greenwell. 2005. “Spectacular Striptease: Performing the Sexual and Racial Other in Vancouver, B.C., 1945-1975. Journal of Women’s History 17(1): 137-164. Racialization of exotic dancing in response to nightlife geographies of 1970s BC. Notes difference of location of white and women of color within global/local erotic industries.  Striptease as a highly competitive […]

Roberts, Ellie. May 10 2016. “Why Your Festival Style Might Be Offensive.” Painting Bohemia. Accessed March 6 2017. Notes cultural appropriation’s tendencies to be connected to innovative fashion at music festivals, but requires monitor/control. Almost impossible to avoid within U.S. culture (as it is a mixture of many cultures); many folks who participate in […]

“But Why Can’t I Wear a Hipster Headdress?” Native Appropriations. April 2010. Accessed March 6 2017. Offers reasons as to why not to wear warbonnet: Promotes stereotypes. “The image of a warbonnet and warpaint wearing Indian is one that has been created and perpetuated by Hollywood  and only bears minimal resemblance to traditional regalia […]